Love Attack

I'm Lee Seo-yeon, who produced an environmental and lighting portfolio.

In the not-too-distant future, a robot finds unexpected love while exploring in the Apocalypse, which has been collapsed by nature.

To see the feeling of the scene, we positioned it with dummy modeling, constructed the scene first, and then proceeded with detailed modeling.

The texture is made of Substantial Painter. Assets that need detail used direct painting and Photoshop.

Among the detailed assets, the robot in particular focused on expressing old grease stains with a long time of paint being peeled off little by little.

Lighting was expressed in the order of morning, early afternoon, and early morning to feel the passage of time. Since I had thought of the lighting image I wanted while watching a lot of reference conferences, I continued to revise the details so that I felt as much as possible.

In the case of the second scene, lighting was added everywhere so that it was not too dark as it was an underground scene to express various colors and lights reflected by the water.

The second half of the work was done with nuke and after effect. The splashing flickers and basic colors were modified to nuke, and additional color correction, lighting correction, and noise were captured through the after effect later.