The Soloists Shortfilm
This shortfilm has been made by 5 students of Master of filmmaking at Gobelins l'ecole de l'image.Dirctors: Mehrnaz Abdollahinia, Feben Elias, Razahk Issaka, Celeste Jamneck, Yi Liu. We are team of international students. We made our graduation film during 9 month which is based on true story of Mehrnaz(director)
We are young directors and we are team of 5 people from all over the world who wanted to make a different shortfilm.
This story is about three ladies living in a dictatorship world, who only have simple dreams – to love in peace with their dog, to sing and to live a normal life. They do their best to get by but in the end, it becomes too much and the two remaining women choose freedom over oppression. They are the heroes of their own story, and they represent all of our wants and dreams. The story also serves to remind us that our grandmothers were young and fabulous once, and they are still fierce, beautiful and strong, and this film is a love letter to them.
The film is based on the true story of many people who want to have a normal life, and as fantastical as it sounds - there are still real places that exist with these kinds of ridiculous laws and dogma. However, we wanted to show that there is always hope even if it means we need to have ridiculous solutions for ridiculous problems. we found that these issues were tied in with real humanitarian issues, and that was truly our main focus of discourse. We felt that we were brave enough to make a different short film, and hoped to bring a change and awareness to people around the world about discrimination and injustice that still exists.
In terms of technique, we decided to think out of box and instead of just making full three dimensional backgrounds, we challenged ourselves in creating a new visual language that can create a sense of a theatrical setup and a pop up book feeling . We wanted these effects to feel improvised as in a theatre show, so we pushed our artistic intention by using a mix of 2D and 3D techniques and reducing the cuts between cameras. We believe this artistic and technical choices could help the audiences to feel the characters and their story even more.
Therefore all the objects and environments are flat like 2D cut-out cardboards but they create an illusion of depth when we see them interact with our full 3D characters. Primarily, the lighting placement decisions were made to boost the theatrical setup we chose for our film. In addition, our lighting was used to visually distinguish the differences between the outside world, which is cold and mundane and the inside world, which is quite warm and cozy.
Environments process (designs and final renders)
All the objects and environments are flat like 2D cut-out cardboards and are rigged in Maya. We first designed the 2D props and environment, painted them in photoshop then modeled them in Maya and animated them to help the story to feel like a theatre, thus helping the storytelling and visually give it a theatre and a pop-up book feel.
The 3D animation shots were quite challenging to execute. Most shots lasted for more than 1000 frames without any cuts in between and had at least 3 or more characters who had intricate interactions with objects. Due to limited time of production, the entire animation was done in two months from blocking to the final animation by only two animators in Maya.
Character design process
For telling our the story, we specifically chose to create old ladies to show that they have experienced a life in which everyday of their life had been very challenging and they have found a way to survive. Also, the love and hate relationship between these sisters at old age could help us to add more sense of humor to our story.
Technically, designing , rigging and animation processes were very challenging and we had to do a lot of animation tests during the pre-production phase to make sure that we would be able to create natural characters who would simply find their ways to the audience hearts.
We had a very limited time for the animation phase. Therefore, for saving time in animation process, we made couple of blendshapes for each character during the rigging phase. It also helped the animators to keep the consistency of acting between characters on different shots.
We are so honored for the recognition of our film by more than 40 international film festivals from all over the world.
The Soloists has won 12 international Awards from film and animation festivals.